|
Résumé :
|
As the medium of psychoanalysis is essentially the medium of discursive language, attempts aiming at a psychoanlytic understanding of the discourse of music are basically problematic. That is because of the fact that the meaning of music does not unfold via explicit musical "contents", about which music would possibly talk ; in its musical discourse music rather immediately presents meaning by its specific structure. That is the reason why each analysis of music has to address its musical structure, e.g. its specfic semiotics, syntax, semantics and pragmatics. With this understanding the author critically tries to discuss psychoanalytic approaches to the musical discourse.
|
